If you haven’t heard me screaming about this book, let me tell you something about The Weigh of Our Sky.
It’s AMAZING. There, I said it.
I had a wonderful time reading and this is the closest I’ve felt to my Indonesian heritage being represented on the page, and this book means so much to me and I hope you all will love it as much as I did. The Southeast Asian blog tour is going on now which is so exciting and my review is going up on my blog this weekend and I’m just so excited to shout all about this book.
But today I have Hanna on the blog talking about The Weight of Our Sky and so I hope you enjoy hearing about this amazing book from her directly! Without further ado, please enjoy!
Hi Hanna–so happy to have you on my blog! For readers unfamiliar with The Weight of Our Sky, could you summarize your debut for us–but only in emojis? 😱‼️
(I had to look up how to type emojis on a laptop for this LOLOLOL)
I’ve been absolutely obsessed with The Weight of Our Sky ever since I’ve heard about it, as we very rarely get Southeast Asian (SEA) narratives in traditional YA publishing. In what ways do you hope your debut will influence publishing and help pave the way for more SEA stories?
When I finished writing The Weight of Our Sky, I made myself a promise that I would never compromise on its Malaysianness; that I would remember why I wrote the story and who I wrote it for and not waver for the sake of getting a book deal. And I’ve stuck to that, as best as I could, throughout this whole process. What I hope that does (and maybe it’s asking too much, but I’ve made it this far with “too big” dreams, right?) is show the industry that there are voices in Southeast Asia worth listening to, stories worth amplifying, so much talent just waiting to be unearthed and discovered.
Melati sounds like such a strong main character, especially as she combats her own prejudices–what do you feel is the greatest lesson she learns throughout The Weight of Our Sky?
I think the biggest thing Melati learns is to trust – to open herself up to relationships beyond her small circle of comfort, to trust others to take care of her, and hardest of all, to trust in herself and her own ability to overcome her inner and outer demons.
I know a lot about some of the Indonesian race riots in the 1900s from my family and their experiences in Indonesia during the time period, but for American readers who are unfamiliar with the time period, there sometimes exists a subconscious lack of desire to read narratives that don’t fit in with their own. In what ways do you think The Weight of Our Sky is relatable for people of any background?
I struggled with this a lot during the different stages of the publishing process, wondering if I’d written a story that was far too niche, worrying that nobody was going to “get” it, berating myself for not writing something easier to accept as a first novel.
Then as I was working through edits, Charlottesville happened, and I realized how many of the lines I had written could be taken and applied perfectly right then and there, 48 years later.
The unfortunate truth is that in the world we currently live in, a tale of race-based violence, mental illness and having to depend on the kindness of strangers isn’t something you automatically classify as “historical fiction.” It’s our everyday, all over the world.
I’ve talked about this before with regards to bloggers, but there’s a huge US-centric (and US/AUS/UK-centric) privilege that is present in the publishing community. How does this affect you as an international author in US publishing?
I was never referred to as a person of colour until my book was bought by a US publisher. Until then, I’d lived almost all my life as the majority and, in many cases, the privileged, as an urban Malay person in Malaysia. Capturing the nuances was and is a lot of work for me – understanding the diverse books and the Black, Latinx and Asian authors who paved the way for someone like me to be here, but also understanding the benefits and issues of the #OwnVoices movement, the conversations around representation in the US context, the interactions between creators and audiences. This whole year leading up to publication has been a huge learning process, and it’s helped me more critically engage with these issues as they pertain to Malaysia and its literary landscape as well.
There are times I’ve had to stand my ground when it comes to the way I tell my stories versus the way some publishing professionals may feel those stories need to be told. I’ve been blessed with a very supportive editor and agent, but at various points in the process I’ve had to dig in and defend my stance: Yes, I mean for this bit of dialogue to be written this way so as to mirror the natural cadences of Malaysian speech; no, I will not italicize non-English words in the text; yes, I expect readers to be smart enough to understand what this means from context; no, I will not change “Ford Anglia” to “Ford” to make it easier for Americans to understand. It’s a car. They’ll get it.
Some things are small, the equivalent of a pebble in your shoe, bothersome but easily accommodated: Online events that happen at 7 or 8am for me, right in the thick of the morning rush and trying to get two tiny humans out the door for kindergarten and preschool; chats themed around holidays I don’t celebrate and seasons I don’t experience; Skype calls deep into the night or in the early hours of the morning; the constant anxiety that comes with always having to be the one to speak up, to be vocal, to be disruptive, to say “Okay, what about those of us who aren’t there with you? What about us?”
Some things are achingly, consumingly big: Worrying constantly that I’m missing out on giving my book the best chance it can possibly get, that I’m falling behind by not being in the US to do those in-person events, attend those conferences, shake hands with the right people and be on the right panels. And most of all, I worry about this book and all it represents to the people it was written for; I worry that I’ve messed up in telling this story, that I will let my people down. When there are so few of you, your voice must stand in for all of you, and that is a terrifying privilege to bear.
Lastly–something fun! If you could spend a day with Melati in any place and time, where would you go and what would you both do?
We’d time travel back to 1963, to the Beatles’ very last show at The Cavern Club in Liverpool, a venue where they played a total of 292 gigs and where they were first spotted by their manager, Brian Epstein. That last performance took place on August 3rd, about a month after they recorded “She Loves You” — which is the song that plays in the record store near Petaling Street where Melati and her best friend Safiyah hang out in the book! I’d love to see the look on Melati’s face as she sees her favourite band, including her beloved Paul McCartney, and hears the soundtrack of her life played live.
The number of crying emojis in that response is really accurate, not gonna lie.
This book is so emotional and if you don’t have it on your TBR–do you have a soul? Did you really make it through this interview without adding it to your TR? I don’t think so.
I love it so much, and Hanna’s responses are so true and I was extremely moved by this whole book and how Hanna is showing the world that SEA creators are amazing and valid and deserve space in this community.
Keep reading to peep that awesome giveaway at the end, and check out the content warnings too just in case ❤
Content warnings: racism, graphic violence, on-page death, OCD, and anxiety triggers
More About the Book
The Weight of Our Sky by Hanna Alkaf
Salaam Reads/Simon & Schuster, 5 February 2019
Hardcover, 384 pages
A music loving teen with OCD does everything she can to find her way back to her mother during the historic race riots in 1969 Kuala Lumpur, Malaysia, in this heart-pounding literary debut.
Melati Ahmad looks like your typical movie-going, Beatles-obsessed sixteen-year-old. Unlike most other sixteen-year-olds though, Mel also believes that she harbors a djinn inside her, one who threatens her with horrific images of her mother’s death unless she adheres to an elaborate ritual of counting and tapping to keep him satisfied.
But there are things that Melati can’t protect her mother from. On the evening of May 13th, 1969, racial tensions in her home city of Kuala Lumpur boil over. The Chinese and Malays are at war, and Mel and her mother become separated by a city in flames.
With a 24-hour curfew in place and all lines of communication down, it will take the help of a Chinese boy named Vincent and all of the courage and grit in Melati’s arsenal to overcome the violence on the streets, her own prejudices, and her djinn’s surging power to make it back to the one person she can’t risk losing.
More About the Author
Hanna Alkaf graduated with a degree in journalism from Northwestern University and spent over ten years writing everything from B2B marketing emails to investigative feature articles, from non-profit press releases to corporate brochures. She now spends her time making it up as she goes along, both as an author of fiction and as a mom. Hanna lives in Kuala Lumpur with her family. THE WEIGHT OF OUR SKY is her first novel.
Photo credit: Azalia Suhaimi
There are a lot of awesome prizes you can get for preordering The Weight of Our Sky, so please totally take a peep below because ALL the gorgeous swag (and there’s A Lot of it) is part of this campaign for a wonderful book!
US/INTL Preorder Giveaway (full info here)
Preorder or request The Weight of Our Sky from your local library to receive
- an enamel pin designed by Rizal Aziz
- a bookmark
- a signed bookplate illustrated by Hanna Alkaf
- a pop-up card featuring scenes of old-school Malaysia from Loka Made, illustrated by Fei Giap
Preorder your special signed copies of The Weight of Our Sky in either paperback or hardcover from Bookalicious! to receive
- a bookmark (paperback)
- a bookmark and enamel pin (hardcover)
(Please note that preorders through Bookalicious! come with their own giveaway items and are not eligible for the US/INTL giveaway.)
Excited for The Weight of Our Sky and want to have a little something of your own? Check out the giveaway below where one lucky winner will receive a bunch of exclusive The Weight of Our Sky swag, including:
- an exclusive The Weight of Our Sky enamel pin
- a gorgeous old-school Malaysia pop-up card
- a bookplate, signed by Hanna
- a double-sided bookmark
- a set of three exclusive character bookmarks (to be revealed at Hanna’s launch party)
SO MUCH AWESOME SWAG, Y’ALL. This giveaway is open internationally and you can enter through the Rafflecopter button below! Good luck!